FRESH SQUEEZED OPERA PRESENTS

Self-Defined Circuits

Music by Jillian Flexner
Libretto by Orlando Segarra

May 3 & 5–7, 2022 at 7:30 pm
Dorothy B. Williams Theater, HERE Performing Arts Center
145 6th Ave, New York, NY 10013

Michael Hofmann, Stage Director
Whitney George, Music Director
April Bartlett, Scenic Designer
Jennifer Burkhardt, Lighting Designer
Ted Boyce-Smith and Taylor Edelle Stuart, Video & Projection Designers
Corina Chase, Costume Designer
Victoria Benson, Production Manager

Newly created, a sex robot seeks to discover what it means to be a woman while trapped in a world created by her programmer, Pete, and his "Siri" device, Cora. Inspired in part by the composer's own experiences in an abusive relationship during her formative years, and the works of sci-fi pioneers Isaac Asimov and Ursula Le Guin, this world-premiere opera is a story of womanhood, artificial intelligence, and self-actualization.

Scenes from opera's history are reimagined in 360 degrees as students of the college's Opera Workshop perform in-the-round. The performance weaves together narrative threads in excerpts of operas by Mozart, Purcell, Poulenc, and others for an intimate and unique operatic experience.

LUMA Theater, Fisher Center at Bard
Tickets: $5, free for Bard students

January 31 at 8 pm
February 1 at 8 pm
February 2 at 3 pm

Michael Hofmann, director
Micah Gleason, Renée Ann Louprette, and David Mascari, music directors
Andrew Hill, lighting designer
Sharon Greene, costume designer

THE COLONY — A show about sisterhood and the evolution of communication in two of the most social creatures on earth: humans and ants.

In this performance, as Mona struggles to reconnect with her estranged sister Hennie, she turns to the ant colony for inspiration. With more than 500,000 ant sisters migrating, raiding, and even reproducing as one superorganism, an army ant colony appears to Mona as the paragon of successful social existence. Informed by scientific research on ant colonies, The Colony ventures into speculative fiction and includes projected animations and imagery alongside live spoken and musical performance. 

Funny, poignant, enlightening, and just the right amount of strange, The Colony aims to kindle a sense of awe and understanding of our diverse biological world, while using the ant colony as a lens for understanding the ever-present challenge of human connection. As part of a new genre called Evo Devo Art, The Colony weaves together evolutionary and developmental biology (Evo Devo) with multidisciplinary art. Audiences can expect to be entranced by visualizations of ant pheromone trails, a musical aria from the perspective of an ant queen, and a dance sequence set in a grocery store inspired by army ant swarm raids. In all, The Colony juxtaposes forms of biological communication – which have developed over millions of years – with modern technological media as a means of grappling with the paradox of acute loneliness in a world more connected than ever. 

The Colony draws visual materials and research in part from the world-class Carl W. and Marian E. Rettenmeyer Army Ant Guest Collection housed at the University of Connecticut and is one of a number of “AntU” initiatives inspired by the collection. The Colony is made possible through the generous support of the Department of Economic and Community Development, Connecticut Office of the Arts; the University of Connecticut School of Fine Arts Dean’s Grant and the Office of the Vice President for Research; the University of Connecticut School of Fine Arts Project Completion Grant; the University of Connecticut Department of Digital Media & Design; and a grant from the University of Connecticut Provost’s Academic Plan competition for the AntU project.

Learn more and reserve tickets at www.thecolony.show

OPERA? OPERA WHAT? WHAT IS THIS? IS THIS OPERA? — [*This opera*] This work [*knots*] binds operatic practices with elements from old and new media (e.g., TV, YouTube) into a chain of [*preposterous*] ludicrous [*events*] episodes. Disparate pieces [*with*] of text—original or [*appropriated*] quoted—generate [*symbols*] characters and situations on the border between the mundane and the absurd. #PostOpera #KnowYourMeme #FunnyCats

PRODUCTION
Michael Hofmann, director
Whitney George, music director
Matthew Wasser, projection design
Jennifer Burkhardt, lighting design
Corina Chase, costume design
Michael Minahan, set design

CAST
Andy Dwan, "Baritone"
Cara Search, "Mezzo Soprano"
Joanie Brittingham, "Coloratura Soprano"
Francesca Federico, "Lyric Soprano"
Sarah Dutcher, 'Keyboards"

Assistant Stage Director

Hudson Hall, Hudson, NY
November 11, 12, 15, 18, and 19 at 4 pm

To mark the centenary of the Women’s Suffrage Movement and the re-opening of New York State’s oldest surviving theater, Hudson Hall in partnership with The Millay Colony for the Arts has commissioned a new production of Virgil Thomson and Gertrude Stein’s rarely performed opera The Mother of Us All. Using real and imagined characters, The Mother of Us All is about Susan B. Anthony and the Women’s Suffrage Movement in America, which began in upstate New York.  Anthony spoke twice on the very stage where this opera will be performed.

R.B. Schlather, stage director
Tony Kieraldo, music director